![]() It was a really, really cool experience that I just will cherish forever and ever and ever. He didn't really have to do too much to it. It made me feel like it was just very ready. I believe my song is the one that he finished the fastest, which is very flattering. He really is a musician's musician, and he just gets music in general- doesn't matter what genre it is. But no, of course, he's just so versatile. I was like, oh shit, what if I don't like it? Am I gonna have to tell Mike Shinoda that I don't want to release the work that he did on my track? Oh my god, that's so scary. I knew going in that I was gonna have to take it or leave it, which was sort of scary. The process of working with Mike was amazing, and him and his team told me in the beginning that it was going to be pretty hands off on my part. ![]() When it's there, it's there and I finish songs really quickly. ![]() I think when I was sitting down to finish it, I finished in maybe 20 minutes. But when Mike reached out to me, that was incentive and inspiration enough. I really have to be called by the Muses or some shit. I'm not one of those musicians that can just be like, 'alright, I'm gonna write a song today'. It was a song that I loved and I knew that I wanted to be finished. ![]() I submitted what I had of "Lilith" at the time, which was only a verse and the hook. ![]()
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